RITUAL ART AND ANCESTRAL PROTECTION OF MALI

Dogon barn door

Dogon barn door carved from solid wood, decorated with human figures, animals, and cosmogonic symbols. Original piece from the mid-20th century, used to protect harvests and convey the family's status.

Dogon barn door

Mali · Dogon ethnicity

Magnificent Dogon barn door from Mali, handcrafted from solid wood and adorned with reliefs of anthropomorphic figures, crocodiles, and geometric patterns.

Their carvings evoke creation myths, protective spirits, and symbolic animals of the Dogon people. The closing mechanism and side spikes demonstrate their functionality and craftsmanship.

This piece embodies the artistic excellence and profound spirituality of one of the most emblematic cultures of West Africa.

Description

Barn door belonging to the Dogon people. It is made of solid wood, probably from a local tree such as baobab or shea tree, hand-carved with traditional tools. The door is decorated with reliefs that include anthropomorphic figures, animals (such as crocodiles, which symbolize fertility and protection), and geometric patterns (squares, rhombuses, and intersecting lines). On the left side, there is a carved locking mechanism in the shape of a spear or beak, which fits into a groove. On the right side, the "side spikes" at the corners serve to fit the door to the barn frame or adobe walls. These doors are used to close the granaries (called ginnas), which store crops such as millet, sorghum, or corn.

Beyond their practical function, these doors are ritual objects. The carvings represent cosmogonic myths, ancestors, and protective spirits believed to safeguard the harvest and the family's prosperity. They also serve as a marker of social status within the Dogon community.
The Dogon doors and windows contain such a variety of figures and different treatments that they perfectly show the artistic and creative spirit of this people.

This barn door contains the essential features of Dogon cosmogony:
At the top are two stylized human figures representing ancestors or guardian spirits, a common element in Dogon art. Among these, there are four structures that allude to the mythical Komondo bird, through the Kanaga cross, a structure similar to the Cross of Lorraine, which refers to the creation myth; the upper cross symbolizes the world of the supernatural, and the lower cross symbolizes the earthly world. The rest of the decoration is occupied by crocodiles which, according to Dogon mythology, was the animal that carried the first people across the Niger River in search of a new location.

State of preservation: The wood is in very good condition. It has a vertical crack; however, the structure remains firm thanks to a metal piece and the two horizontal crossbars that reinforce the entire door.
The crack was caused by the movements of contraction and expansion, as this is a piece that has been exposed to the elements for decades.
Small areas of natural wear and tear, produced by everyday use.
Very good patina.
"Carved with precision in wood, it embodies the artisanal excellence of this town."

Museums with similar pieces:
Quai Branly - Jacques Chirac Museum (Paris, France): This museum has an extensive collection of African art, including Dogon doors with similar carvings.
Metropolitan Museum of Art (New York, USA): The Met houses several Dogon pieces, including barn doors dating from the 19th and 20th centuries, with comparable motifs.
National Museum of Mali (Bamako, Mali): This museum has a collection of Dogon art that includes barn doors, some of which are still used in local ceremonies.
British Museum (London, United Kingdom): It also possesses Dogon doors with carvings that reflect the cosmology and spiritual beliefs of this people.

BARN DOOR
Mali, 20th century

Restoration status

Very good state of preservation; the wood has a vertical crack caused by exposure to the elements, stabilized with a metal piece and two horizontal crossbars. Natural wear and tear from daily use and excellent patina. The structure remains firm and functional.

Historical context

Dogon granary doors, like this 20th-century piece, are ritual and functional elements whose carvings represent the cosmogony, ancestors, and myths of the Dogon ethnic group in central Mali. Used to protect harvests such as millet and corn, they reflect the social hierarchy and symbolic art of the community. The motifs of human figures, Kanaga crosses, and crocodiles tell stories of creation and protection, bearing witness to the spiritual and creative richness of the Dogon people.

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