Extraordinary pair of Foo lions in glazed Sancai ceramic, with vibrant green and ochre tones and brown details, a symbol of protection and power of the Ming Dynasty.

Foo Lions Couple

China

This pair of Foo Lions, made of Sancai ceramic from the Ming Dynasty, stands out for its robustness and elaborate decoration.

Their expressive faces and muscular bodies reflect strength and majesty, while their square bases and spheres symbolize protection.

Traditionally placed as guardians at entrances, these figures also served a funerary function. Their intricate fur and details at the base enhance their ornamental and symbolic character.

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Description

Extraordinary pair of Foo lions in glazed "sancai" ceramic, Ming Dynasty (1368-1644), in dazzling green and ochre tones, with slight brown touches. They are depicted standing, on a square base and with their front paws resting on spherical elements (balls or globes), as a symbol of protection and vigilance. Very expressive faces, large eyes and prominent ears, which give them a majestic air. Robust and muscular bodies, reflecting strength and power.
Very elaborate decoration, intricate details in its fur, as well as decorative patterns on its base.
Traditionally, foo lions are placed at the entrance of homes and temples as guardians, protecting against negative energies and as guardians of fortune.

These figures would become part of a funerary offering.

Condition: Very good condition, some minor chipping at the base.

PAIR OF FOO DOGS. SANCAI CERAMICS. MING DYNASTY
China (1368-1644)

PAIR OF FOO DOGS. SANCAI CERAMICS. MING DYNASTY
China (1368-1644)

PAIR OF FOO DOGS. SANCAI CERAMICS. MING DYNASTY
China (1368-1644)

Restoration status

Very good condition, with only small chips on the base.

Historical context

During the Ming Dynasty (1368-1644), Foo lions were protective figures placed at the entrances of temples and homes, often included in funerary goods as a symbol of vigilance and good fortune. The sancai technique, characterized by its three-color glazes, was highly valued in the funerary and decorative ceramics of the time, reflecting the craftsmanship and spiritual beliefs of imperial China.