Model of a barn in Qingbai ceramic, Song Dynasty. Two interlocking pieces, pale blue glaze and great architectural realism. Good state of preservation.

Qingbai Ceramic Granary

China

This exquisite model of a granary in Qingbai porcelain is a magnificent example of the high degree of sophistication achieved by potters during the Song Dynasty (960–1279).

Composed of two pieces, it reproduces with great fidelity a real structure from the period: a stepped circular base, attached columns with vents, and a characteristic conical roof, topped by a bulbous element that acts as a lid.

The characteristic Qingbai glaze, ranging in color from white to pale blue and with a glossy finish, not only gives luminosity to the piece, but also speaks to the technical refinement of the Song kilns.

These architectural models, known as mingqi, were placed in tombs as part of the funerary goods to guarantee the deceased prosperity and well-being in the afterlife, and are a tangible testament to the importance given to agriculture and material stability in medieval Chinese culture.

A piece of great artistic and symbolic value, ideal for collectors and lovers of historical ceramics.

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Description

Model of a real barn from the period, consisting of two pieces.
Structure resting on a circular base of two steps and attached columns with vents at the bottom. Overhanging sloping roof in the shape of a cone with tubular tiles and topped by a large bulbous element, which fits into the bottom like a lid.
During this period, ceramic production reached a high level of sophistication and quality. The qingbai technique is characterized by its clear and bright glaze, which can vary between white and pale blue, and was often applied to pieces that imitated architectural structures.

Architectural models were intended to replace the world of the living in funerary goods (mingqi).

Condition: Good condition.

Restoration status

The piece is in good condition, maintaining its structural integrity and the original brilliance of the Qingbai glaze. No invasive restorations or significant damage are apparent; the minimal signs of wear correspond to its age and ritual use, and do not compromise its attractiveness or heritage value.

Historical context

During the Song Dynasty (960–1279 AD), China experienced a flourishing of arts and ceramics, highlighting the production of Qingbai pieces, renowned for their transparent glaze with a delicate bluish-green hue. This type of pottery, mainly produced in the kilns of Jingdezhen, reflected both the technical skill and aesthetic refinement of the era.

Miniature ceramic barns were commonly placed in tombs as funerary objects. They symbolized the desire for prosperity, security, and abundance for the deceased in the afterlife, alluding to the importance of agriculture and grain storage in Chinese economy and culture. Furthermore, these pieces detail the rural architecture and customs of Song Dynasty China, constituting a valuable material testament to the period.

Thus, a Qingbai ceramic granary not only represents a work of art, but also the expression of fundamental beliefs and aspirations in medieval Chinese society.