Small Lobi Bateba statue carved from wood. It is characterized by such exaggerated schematism that it borders on imprecision. The arms are back, one more than the other, slightly bent and close to the body, the legs very short and the abdomen protruding. It rests on two blocks as feet, to achieve some stability. The treatment of the facial features is particularly striking: very little detail, irregularity dominates the face, with a total loss of symmetry, as in the body as a whole: the imprecise, round eyes, at different heights, have a central hole made with a pointed object, one ear further back than the other and of a different size.
It is a representational and geometric depiction of the human body, emphasizing the monolithic form rather than the details. It would be included in the category of "stick sculpture" due to its schematic nature, simplicity, and asymmetry, characteristic of the Lobi people.
The Bateba figures have a votive character and their mission is to ward off evil spirits; they protect the home and family, are associated with the deceased, and are halfway between spirits (thil) and human beings. They are placed on altars dedicated to ancestors in each house and are used in initiation rites and agricultural ceremonies. One of these festivals, perhaps the most important, is the "Dioro," celebrated every seven years for initiates, during which the mythical origin of the people is revived, celebrating the symbolic union between Tangba, the goddess of the earth, and the Volta River.
These statues are made quickly, sometimes by the head of the family, as the protective spirits recommend. In any case, there is no "official artist," and therefore the final result depends on the author's momentary skill; they have the "imprint" of speed.
The Lobi people possess one of the simplest and most straightforward material cultures in West Africa. Their main artistic expression is sculpture, characterized by exaggerated schematism that originates in ancient phallic votive stones, with rudimentary engravings intended to evoke the human face. This style, as we have seen, prevails in their traditional sculpture. Another important aspect is that they do not use masks; instead, for their festivals and dances, they cover their heads with feathers adorned with cowrie shells.
Conservation status: Very good. Shows remnants of polychrome (red), especially visible in the face area, and also in other areas, although to a lesser extent. Its excellent patina is noteworthy. Small accumulations of earth are present in the hollows and holes. Signs of wear in specific points, due to its continued ritual use. Small cracks and fissures. Very good, shiny patina.
Lobi Bateba Figure
Burkina Faso 19th-20th centuries
